{ 0:00 }
All right, what’s your name and can you spell it?
Micheal Scruggs: { 0:02 }
It for me, my name is Michael. M-i-c-h-a-e-l.
Houston Allen: { 0:06 }
Last name is?
Micheal Scruggs: { 0:07 }
Scruggs. S-c-r-u-g-g-s.
Houston Allen: { 0:10 }
And what are you like? What are you here? Are you the manager?
Micheal Scruggs: { 0:14 }
I am. The bar manager.
Houston Allen: { 0:30 }
I know, I know one of my favorite things when I come in here, especially on like a Friday nights like the Kudzo Kings when I was here, just seeing the people just just talk around like.
Micheal Scruggs: { 0:39 }
You were here this past Friday?
Houston Allen: { 0:42 }
I was, it was a fun group to be around.
Micheal Scruggs: { 0:44 }
That was that fun night.
Houston Allen: { 0:46 }
Was an older group, but like they were, they knew where to go for a good time. And this place, this place has stood the test of time too.
Micheal Scruggs: { 0:53 }
Open for 33 years? I think so.
Houston Allen: { 0:56 }
Why do you think it’s lasted so long?
{ 0:58 }
And it’s just, it hasn’t changed one bit either.
Micheal Scruggs: { 1:01 }
I think the music is what’s kept us around for so long. We’ve just, we’ve never not had music. And I think we were one of the first places in Oxford to actually have live music. And you could also eat during the day. So it’s, I think, I think it’s just the music that’s kept us.
Houston Allen: { 1:16 }
Especially with all the, the type of music we play and with all the especially all the famous artists that I’ve come through and played here over the years and we’re kind of chat. I mean, we all know summer. When is when Oxford slows down a bit. How does September and these next few months really differentiate from over the summer with concerts being during the night and how does the staff have to really adjust?
Micheal Scruggs: { 1:42 }
I mean, for the whole restaurant in general, it’s just prepping a lot more. That means buying a lot more alcohol, buying a lot more food, kind of mentally prepping for dealing with 10 times more people than you would during the summer.
{ 1:58 }
I mean, just you don’t really have a choice. You have to be, you have to be ready. So.
Houston Allen: { 2:05 }
And what do you think? Like how do how do y’all go about choosing the bands? I know you’ll have a person that specifically goes through everything, but is there a certain criteria a band has the need?
Micheal Scruggs: { 2:15 }
Not really, no. All of our bookings are done through Scott, our owner, and his daughter Haley. But we are really open to almost any type of music. A few weeks ago, we had this show called Oxford Golden Hours, and it was a few violins, a bass, a cello like, And then sometimes we’ll have reggae music, sometimes we’ll have our rappers and, and you know, rock, country, I mean, we literally do it all.
Houston Allen: { 2:43 }
And sort of what’s the the biggest adjustments and like with the expenses that comes with starting back up with the concerts and with school starting the ball back around, like there’s no way I can get a specific number.
Micheal Scruggs: { 2:59 }
Like a specific number for.
Houston Allen: { 3:02 }
Like expenses going up, like how much more alcohol, youth, or if prices go up, or if there’s a certain amount of money you make if you make far more money.
Micheal Scruggs: { 3:10 }
You’re asking for the restaurant or for me.
Houston Allen: { 3:12 }
both.
Micheal Scruggs: { 3:16 }
I mean, I couldn’t give you a specific number because it changes. It changes every week. But I mean, like this time of year, that’s when that’s when the servers and the bartenders make more money. That’s when the restaurant makes more money. I know last Friday we had a record-breaking day for us that, you know, that happens very rarely, but that was the weekend to do it. I can’t. But yeah, I can’t give you a specific number. That’s just really hard.
Houston Allen: { 3:43 }
And does hosting the concerts bring in that significant of business and create just that much more, or does it create far more expense?
Micheal Scruggs: { 3:54 }
That’s that’s part of there is some risk in in live music.
{ 4:00 }
Sometimes we make a lot of money from live music. Sometimes we don’t at all. That’s just that’s just kind of how the how that world works. But I mean, there is money. There is money in it, yeah.
Houston Allen: { 4:14 }
You have to spend money to make.
Micheal Scruggs: { 4:15 }
Money. Yeah. You got to spend money to make money, Yeah.
Houston Allen: { 4:18 }
And what kind of what makes the fall such an important part of the music scene here in Oxford, especially for proud Larrys, with students coming back and discovering their things?
Micheal Scruggs: { 4:29 }
I mean, I think it’s mostly just because there are a lot more people here and there’s, so we try to set it up if there’s a lot more opportunities for all of these people to go see something and see something different maybe or something they probably would not have seen before or heard before. I guess you know, like in the summer we would have maybe one or two shows a week. Now, and especially in October, I think there’s one week we have no, no, it’s like it’s going to be like a week and a half of straight music every single night.
{ 5:00 }
But yeah, I know it’s just because it’s a busy season and because there’s so many people coming in and out of town all the time. It’s we’re trying to trying to give people that that experience, give them a chance to hear, hear something.
Houston Allen: { 5:13 }
And how do other music venues like the like the Pavilion now hosting a lot more stuff and the lyric effect like the music scene here, Does it take away people if you bring in more people?
Micheal Scruggs: { 5:24 }
I don’t think it has anything. I, I, I don’t think it affects us at all. I mean, the pavilion pulls very large artists now and that money I believe is, is the, the campus pays them. I, I don’t really know how it works, but I mean, we get smaller artists, we sometimes get bigger artists, but it really doesn’t affect us at all because people know that we’re not going anywhere and whoever lol. We should go back to Nashville or do whatever and we’re still, we’re still going to be here. And, you know, everybody knows that.
Houston Allen: { 6:00 }
And what kind of challenges come with hosting multiple bands per week like you said, you’re you’re going to later, Is it the preparation? Is it that way you need to execute or just?
Micheal Scruggs: { 6:10 }
The only prepared challenges I could think of, and it depends. Sometimes it depends. It depends on which band is playing or whoever is playing, I guess. But like you know, making sure you’re stocked up enough with alcohol. You don’t want to run out of alcohol, beer and in the middle of the week.
Houston Allen: { 6:43 }
And what like how do y’all handle if someone cancels on y’all? Like I know the the what is it’s like upwards the board of directors.
Micheal Scruggs: { 6:53 }
We had.
Houston Allen: { 6:54 }
We had them play at SAF 2 years ago and they were killer. Like how do y’all deal with that?
{ 6:59 }
Do y’all just have to book another band or is that not?
Micheal Scruggs: { 7:01 }
Just it doesn’t happen very often, but it’s, you know, we don’t really, we don’t lose money, but we’re not making money when that band cancels. So it’s, you know, we’re still up and doing the day for the restaurant, but at night.
Houston Allen: { 7:14 }
You know, so do they just come and play for free then or do?
Micheal Scruggs: { 7:18 }
They every single band is paid OK, every single, every single person that comes to and plays here is paid at the end of the night. But you know it, it sucks that you know you can’t get the business, but you know, it’s just, it’s part of it.
Houston Allen: { 7:33 }
And how do you all do with sold out crowds? Like is that just whenever you sell something? I don’t like it? Like I know it’s what it’s either this Thursday or the next Thursday I’ll have a sold out band.
Micheal Scruggs: { 7:43 }
Next Tuesday and next Friday we have a sold out show. Lauren Watkins next Friday. She’s she’s she’s an almost graduate and then Wade Forester on Tuesday. I believe it’s just country music.
{ 7:54 }
But I just, I, I always make sure that I have enough security because sometimes you know, you, you were here Friday night for Tusher Kings. This place is full, packed out, packed out. And that’s not even including people upstairs and outside.
Houston Allen: { 8:07 }
I was looking up to get like a spot at the bar where I could just me and my girlfriend could just stand like right here with our backs on it. And I was like.
Micheal Scruggs: { 8:14 }
Thank God. And it’s part of it is we have to kind of gauge when we want to close the restaurant side and start getting ready for just being a music venue. And, you know, that involves us taking all these tables and chairs and putting them in our basement and having enough security to corral people, having enough bartenders to serve people and again, having enough alcohol. So. But yeah, I mean, that’s, that’s doesn’t sound like a lot, but it isn’t it, it, it could be a lot, yeah.
Houston Allen: { 8:46 }
How do you differentiate this place when it’s a restaurant or a dinner scene or just a music venue?
{ 8:55 }
There’s a really all sort of merge into one or do y’all kind of set distinctive lines on what times it should be this and what times it needs to?
Micheal Scruggs: { 9:01 }
Be that it kind of merges into one we’ve because every show is different. We, there’s no real way to differentiate. You know, if we have a dinner show, we’re not going to do anything. You’re not going to have security. I’m not going to move any tables. But when I have a sold out show, you know, you have to, I have to, I have to think, OK, what time do I need to close the kitchen? What time do I need to start moving everything? What time do I need to get the security set up to start taking tickets and whatnot. But I mean it, it really just all kind of blurs together. There’s no specific way we or one way we do things. Yeah.
Houston Allen: { 9:38 }
And then how much do you think the new Calvaries has contributed to the new $16.00 over the years? Because I know it’s for me, it’s done a lot. This is where I usually spend my Thursday and Friday nights.
Micheal Scruggs: { 9:51 }
I grew up in Oxford. I’ve lived here my whole life. My dad came here and then I started coming here, probably when a little too young to and its been an important piece of my life.
{ 9:56 }
And I mean, I think it’s just, it’s been one of the founding, founding scenes for music and Oxford. I mean, back in the 90s, there was almost nothing. And that’s when we got started. And then I remember when I was little, when the lyric opens. But I think we’ve been one of the founding places of music in Oxford, the music scene in Oxford. Yeah, thanks.
Houston Allen: { 10:26 }
Thank you so much.,I think that will get us done. I’ll be in touch .
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